The Etheric Technology depicted at the Temple of Hathor,

The Etheric Technology depicted at the Temple of Hathor, Denderah:

These three images are carved on the walls of a subterranean tunnel below the Temple of Hathor at Denderah. They have been identified in recent years as possible depictions of a lost technique of illumination by which the Egyptians executed their art. Such a technology is suggested by the fact that the elaborate reliefs within the tunnels of their temples were executed in pitch-black locations which betray no traces of soot or blackening which might otherwise indicate the use of flaming torches. However, this interpretation is unsatisfactory, tempting as it is. Such depictions as are shown here are almost always symbolic representations (see the work of Schwaller de Lubiscz and Robert Lawlor). Egyptian temple art virtually never shows straightforward illustrations of such techniques, unless the intent is to veil an allegorical meaning. For example, there is not a single extant example of a depiction of building methods used in ancient Egypt.

It is clear that the three images show a technology of some kind but I suggest that it is not the forerunner of some Edisonian device, despite what might appear to our modern eyes as "filament", "bulb" and "electrical cord". However, we can penetrate some way into the mystery by noting that the images form a clear series.

In the first stage, the elongated "bulb" is supported by a kneeling figure, and the serpent which acts as the "filament" shows three distinct "waves " along it's body.

In the second, the bulb is supported by a Djed pillar, on an angle, with arms emerging from a lower crossbar, and the serpent now exhibits four ripples along its length. These first two images are adjacent on the northern wall of the tunnel.

In the final image, which is found on the opposite wall from the first two, the bulb is resting on a vertical Djed pillar with arms now emerging from out of the top section. This time, five waves are shown on the serpents body.

The decisive clue is the succession of increasing waves in the body of the serpent, from three to four to five.

We can deduce that what is on display here is primarily a process. The first two images represent preliminary stages in the setting up of some set of conditions. The third image represents the goal, and the earlier two show steps along the way. T his is confirmed by the placement of the three images, with the first two on the south wall of the passage, and the third opposite on the north wall. The progression in the waves of the serpents body from three, to four, to five, hints at a vibratory process which attains to higher and higher frequencies and harmonics.

Quite possibly, the production of light is one of the outcomes of the process. However, it is an etheric science which is on display here, and not a mere mechanical or electrical device as has been assumed. Much more remains to be said about these enigmatic carvings, but it may be suggested as an indication for further understanding that the next important clue is the identification of the true nature of the Djed pillar, the so-called "backbone of Osiris", which supports the etheric process taking place within the "bulb".

Etheric technology of ancient Egypt: The Temple of Hathor at Denderah

Great Pyramid: House of God and Gate of Heaven

Hidden Geometry in Art:
Pierro Della Francesca:
Fra Angelico
Fra Luca Pacioli
Denderah Zodiac